How do you present a story from Portsmouth in land-locked York. I do remember some discussion about cutting Central Hall loose and letting it float to the middle of the lake. Fortunately more level-headed minds won out and the thrust stage was used as the ship. This was constructed with rigging let down from the lighting rig, which meant that the ladies chorus had to synchronised swim out to the ship - thus their Edwardian bathing costumes. This certainly made the entire production very colourful, especially when contrasted to the simple white sailor's costumes.
This marked the first year when Duncan Barraclough joined (later musical director) as well as Patrick Couzens as Dick Deadeye who later became the Sorceror and Lord Chancellor - what you might call stalwarts!
All the costumes were handmade by Hilary Lonsdale, who managed to work in the Blue Peter ship at every opportunity.
The University of York Gilbert and Sullivan Society © 2009